Bodies as terrain. Symbols as whispers.
Natalia González Martín invites us into a world where softness becomes one of the strongest forms of power.

Despite concerns about fair fatigue and shifting market currents, Frieze Seoul 2025 delivered a confident comeback — from Mark Bradford’s $4.5M headline sale to the rise of next-gen Korean artists gaining global traction.

Art Basel 2025 unfolded across two distinct rhythms: blue-chip spectacle inside Messeplatz and the quiet, magnetic pull of an off-site villa that became the fair’s true center of gravity. Between hype and hush, the week hinted at where the art world may be heading next.

A 101kg golden toilet that once lived in a museum bathroom returns to Sotheby’s — bringing satire, scandal, and an uncomfortable truth about wealth and worship.

💭 What if a collector’s home was just an illusion?

At Newspring Project, “Kim Jin-young Collection” feels like a real collector’s space—until you realize he doesn’t exist. This exhibition blurs reality and fiction, making us question: Does a collection define a collector, or the other way around?

Step inside this curated illusion and explore the art of collecting.

What if a slice of watermelon or a burnt incense stick could unlock hidden memories? In Lee Jinju’s art, the ordinary becomes a gateway to something deeper. Join us as we unravel her delicate, memory-filled narratives and explore the stories waiting to be discovered.

Feelings are complicated—and so is Urs Fischer’s latest exhibition at Jason Haam Gallery.

Installation view of Urs Fischer “Feeling” at Jason Hamm Gallery, Copyright © 2024 Jason Haam

Have you ever walked into a dining room and felt like you were stepping into a dream? Some dinners are more than meals!