Bodies as terrain. Symbols as whispers.
Natalia González Martín invites us into a world where softness becomes one of the strongest forms of power.

Despite concerns about fair fatigue and shifting market currents, Frieze Seoul 2025 delivered a confident comeback — from Mark Bradford’s $4.5M headline sale to the rise of next-gen Korean artists gaining global traction.

Art Basel 2025 unfolded across two distinct rhythms: blue-chip spectacle inside Messeplatz and the quiet, magnetic pull of an off-site villa that became the fair’s true center of gravity. Between hype and hush, the week hinted at where the art world may be heading next.

A 101kg golden toilet that once lived in a museum bathroom returns to Sotheby’s — bringing satire, scandal, and an uncomfortable truth about wealth and worship.

Lee Jinju’s Discontinuous Continuity moves between the seen and unseen, where hyperreal details meet surreal tension. Objects, hands, and quiet shadows emerge like clues from an unspoken narrative, inviting us to circle, pause, and look again. In this abyss of darkness and light, continuity is something we choose to discover.

Rocking to Infinity unfolds like a diary of fabric, sculpted emotion, and unresolved questions about love, identity, and repair.

Julie Curtiss’s new works reveal the tender fractures of becoming—inviting us to reflect on who we were, who we are, and who we are still becoming.

In the blur of daily life, art helps us hold onto what matters—love, care, and fleeting gestures between parent and child. Dear Mom, Dear Child brings together contemporary works by artists like Claire Tabouret, Caroline Walker, Julie Curtiss, Louise Bourgeois, and Larry Madrigal to reflect on the beauty and complexity of parenthood. A visual letter to those who give, receive, and remember love.

In a world overflowing with images, three contemporary artists—Louise Giovanelli, Shawn Huckins, and Ewa Juszkiewicz—remind us of the quiet power of what remains unseen. Through drapery, veils, and shimmering textures, their works unfold slowly, leaving space for wonder. Not Yet Unveiled is an exploration of concealment, curiosity, and the art of lingering on the edge of revelation.

💭 What if a collector’s home was just an illusion?

At Newspring Project, “Kim Jin-young Collection” feels like a real collector’s space—until you realize he doesn’t exist. This exhibition blurs reality and fiction, making us question: Does a collection define a collector, or the other way around?

Step inside this curated illusion and explore the art of collecting.

A playful look at our hyper-digitized lives and blurred boundaries. What if our hyper-digitized lives were more real than we thought? What happens when surveillance and consumerism blend into our daily routines? Enter the world of Mak2, a Hong Kong-born artist who seamlessly bridges the tangible and the intangible, creating works that make us question the very nature of existence.

What if a slice of watermelon or a burnt incense stick could unlock hidden memories? In Lee Jinju’s art, the ordinary becomes a gateway to something deeper. Join us as we unravel her delicate, memory-filled narratives and explore the stories waiting to be discovered.

Feelings are complicated—and so is Urs Fischer’s latest exhibition at Jason Haam Gallery.

Installation view of Urs Fischer “Feeling” at Jason Hamm Gallery, Copyright © 2024 Jason Haam

It all begins with pastels.

Have you ever walked into a dining room and felt like you were stepping into a dream? Some dinners are more than meals!